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Living a Life You Choose: Part 5

Paul Attaway • Jan 11, 2022

To self-publish or not to self-publish

I finished the book! 


Then I hired an editor and then a consultant, then a second editor, then a book designer, then a proofreader... and then the book was actually finished.


Then I had to publish the book, and then I had to sell it.


So how do you start? The same way you learn to swim.


From start—staring at a blank sheet—to finish—seeing my book available on Amazon—I divide the process into two buckets. Bucket one is writing the book. Bucket two is everything else, but for the sake of clarity I’ll refer to it as “selling the book.”

Writing the book is a solitary process—at least it was for me. Selling the book was and continues to be a collaborative process, for I have relied and drawn upon the assistance of others.


I think operationally. I see a goal and chart how I hope to get from here to there. Consequently, both writing and selling the book presented challenges since I didn’t know what I didn’t know. I was bound to run down a lot of rabbit holes, and I did—but that’s how we learn. So, as much as I would have appreciated a start-to-finish how-to manual, I don’t regret the process I undertook.


But even as I write this about the next steps to seeing one’s book available for sale, I’m struggling to find a starting point—so, I will pick one and circle back as necessary.


Getting published


I do not intend to thoroughly discuss this topic, and there are two reasons why. First, it would take too long. Second, I know enough to be dangerous and only possibly helpful. (There is no shortage of online resources on the subject. That being the case, if anyone reading this post would like to talk with me, please visit 
www.paulattaway.com and reach out through the contact page.) I provide the following discussion as a backdrop to the story of how my book became available for sale.

To publish a book means to make it available for the public to view, and it involves the process of producing and distributing the book:


  • To produce a book, one prints it on paper or electronically.
  • To distribute a book, one makes it available for purchase (or use in the case of a library) through an online portal (such as Amazon, Barnes & Noble, Books-A-Million, Biblio, and the growing number of Amazon-alternatives) or through a bookstore, be it an independent bookstore or chain.


There are basically two ways to get published—a publisher decides to publish your book, or you self-publish. If a publisher picks up your book, they are responsible for the cover design, the interior design, pricing, and to varying degrees depending upon the publisher, the distribution and marketing. If you self-publish... you guessed it—you do everything.



I self-published, but I first sought a publisher. There are two ways I oversimplify the world of book publishers—first, by size and second, by how it impacts me as a writer. When broken down by size, there are two types: the Big Five (Penguin/Random House, Hachette Book Group, Harper Collins, Simon and Schuster, Macmillan) and everyone else. When broken down in accordance with how it affects me, again there are two types—those that accept manuscripts directly from an author and those that only accept manuscripts from agents. 


These two categories overlap to a great extent. The Big Five only look at manuscripts brought to them by an agent. As far as the rest of the publishers go, I do them a disservice by lumping them altogether, and you will find a world of mid-sized and smaller publishers with niches and specialties after only a few minutes researching online. Many of these publishers accept manuscripts directly from authors. 


Therefore, to land a large publisher, you need an agent. To land an agent, you need to find them and send them a Query Letter. I researched how to do both, sent query letters to some two-dozen agents, and then waited to hear back. This is where it gets tough—especially if you are impatient as I am. The agents tell you on their websites that it could take six to eight weeks for them to reply, if they reply at all. I waited and received three rejections, and I heard exactly nothing from the rest. 

I didn’t wait to not hear from all the agents before executing plan B—submitting my manuscript to twenty smaller publishers that accepted manuscripts directly. They also told me to be patient. Argh!!!


I received five yesses. One publisher wanted to make significant changes to the book. One said they would take about twelve months to get it to market. The third wanted me to bear all the expenses. The other two got back to me after my book was already available for sale on Amazon.


While I was waiting to hear, or not hear, from agents and publishers, I researched self-publishing and spoke to a few authors. Two had self-published, and two had been picked up by small, niche publishers. They all said the same thing:


Even if you go with a smaller publisher, you will largely be responsible for the book’s promotion and success.


I decided to self-publish. Learn about my experience in my next article!

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Paul was born and raised in the Atlanta, Georgia area. Paul and his wife, Lyn, met in college at Georgetown University and were married after Paul graduated from the University of Georgia School of Law. They moved to Phoenix, Arizona in 1988 where Paul embarked on a thirty-year business career before retiring so he could write fiction. Paul and Lyn raised three children together in Phoenix and now split their time between Phoenix and Charleston, South Carolina. 


Blood in the Low Country  is Paul Attaway’s debut novel. Writing this book, along with the move to Charleston, is a coming home of sorts, a return to the South. The history and culture of America’s South is rich, complicated, at times comical, sad, tragic, uplifting, and inspiring. Paul hopes that his novels can capture even a small bit of this tapestry. Learn more about Paul Attaway, and purchase his book, here: https://www.paulattaway.com. Find the audiobook on AudibleAmazon, or Apple Books!


By Paul Attaway 28 Jul, 2022
We all know what fiction is and we have a general understanding of what historical fiction is – narratives that take place in the past and involve an imaginative reconstruction of events and/or characters, real or imagined. But what do we call a story set in the not-so-distant past? Before considering a definition, let’s look more closely at historical fiction.
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This week the U.S. Open returns to The Country Club in Baseline, Massachusetts, and it seems fitting as recent events in the world of professional golf have highlighted what it means to be a professional golfer and launched conversations as to why we love and play the game. It seems fitting because in 1913, twenty-year old amateur Francis Ouimet [1] , shocked the world beating the best in the game at The Country Club to become the first amateur and only the second American to win the US Open, a tournament that had been played since 1895, and in the process wrote chapter one of the story in this country of what it means to be a professional athlete. Last week, the upstart tour, LIV, hosted its first tournament. The tour is underwritten by the Saudi Sovereign Wealth Fund which means the players are being paid by Mohammed bin Salman Al Saud, MBS to his friends, the Crown Prince of Saudi Arabia. This blog post is not about the propriety of accepting pay from the ruler of an authoritarian nation, not that the questions surrounding the payor and his motives aren’t important or worthy of discussion, but because that’s not what I want to write about today. No, today, I’ve been thinking about the essence of competition, what we love about it and how it plays out in the game of golf specifically. The Spirit of Competition From the game’s inception, money has been wagered on the outcome and the primary form of competition is what we call match play. The winner is the player who wins the most holes regardless of the total score at the end of the round. In match play there’s only one winner. Match play is still the most popular form of competition. At public and private courses around the country today amateurs playing weekend golf are likely to wager with friends using a match play format. Even today, a Scottish town may have one public golf course, but it could have had multiple private golf clubs all sharing the same course, and from the earliest days, these clubs would host tournaments, each club putting up their best players against the other clubs’ best. Further, it was not uncommon for the members of a club to send their best to a neighboring town to play a match or series of matches against a team sponsored by another club. The winner might receive a jacket, a cup, trophy, or medal of some sort. In some cases, a small cash prize would be paid, the money for which had been collected from the club’s membership. Membership in these clubs was typically reserved for the wealthiest, people who could spend the time required to master the game. Often, the club would send their head pro to compete for the club. In those cases, the membership would cover the player’s travel expenses. The point being, though, there was only winner; no second place. The Spirit of the Game and the Professional Golfer In the late 1800s and early 1900s, many of the world’s top golfers were amateurs and the professional golfer was the club pro who made his living as the head professional at a private club. His duties would have included making clubs and giving lessons. When Francis Ouimet won the US Open in 1913, nearly every golf professional was an employee of a private club and frankly they were looked down on as second-class citizens. As the game of golf exploded in this country following Francis Ouimet’s victory and the prospects of someone making a living playing tournament materialized, much was written about the beauty and purity of the amateur playing for the love of the game as contrasted with the professional who plays for money. Buried in these words is a fair amount of class-based elitism. Amateurs competing on the world stage at the time were wealthy men who could afford to join private clubs and take hours off to play the game each week. Simply stated, they looked down on working-class people and that’s what a professional was, working class. That’s all the more reason why Francis Ouimet’s victory was so shocking; he was an amateur for sure, but he was poor and from a working-class family. He was not your traditional, wealthy amateur. The arrogance of the guardians of the game was on full display when in 1916 the USGA stripped Francis Ouimet of his amateur status because they concluded he was profiting off his fame by using it to promote the success of his sporting goods store. A few years later, in response to an outpouring of support for Ouimet, the USGA quietly reversed its decision. (Francis Ouimet continued to compete as an Amateur and won the US Amateur Championship in 1931.) While elitism still exists today throughout our culture, in the game of golf, the professional reigns supreme. The attitude towards the professional golfer began to change in the 1930s and 1940s and the great amateur Bobby Jones was instrumental in that change. Around this time, a yearlong tournament schedule was developed, and it became possible for a player to make a living travelling the country playing tournament golf. Match play gave way to stroke play as the dominant form of competition as TV became a larger presence and it was deemed that stroke play was an easier format around which to develop a television audience. For the tour to survive, however, players must have a realistic chance of making enough money even if they don’t win. So, today, a purse is divided up amongst the top finishers at a tournament. But still, the better you play, the more you make. So, while you no longer need to place first to win money, the spirit of the competition was still there. Furthermore, there was no guaranteed money. Often, you had to qualify on a Monday to play in the tournament and then if you did, you had to make the cut after the first two days if you were to make any money. Yes, the spirit of competition survived. Now don’t get me wrong. I know how much money the top players make today; they’re not struggling to survive, but they had to work hard, and they earned their money by winning regularly. Nevertheless, the tour can be grueling because if you don’t make the cut after the Thursday and Friday rounds, you don’t get paid and then you move on to the next tournament, often the very next week. The PGA Tour does provide a pension for its members. However, your payout is a function of what you put in: the number of tournaments you play, the number of cuts you make, the number of Wednesday Pro-Ams you play, and how well you do in the tournaments, for instance. In other words, the better you perform, the more you make. I haven’t even touched on what it takes to become a PGA Tour Member. The competition is intense. Playing for more than just money But the PGA Tour and European Tour player is also playing for more than just money. They are playing for their place in history. Great tradition surrounds many of the stops on these tours. And then there are the Majors: The Open, The US Open, the PGA Championship and The Masters. Finally, two of the most pressure packed events are the Ryder Cup and the Presidents Cup, biannual tournaments played between the best players from the United States against the best European players and the best players from the rest of the world, respectively. There are no cash prizes at these two events. Just pride, national pride. Although golf is a solitary game – you against the course or you against another player or the field – and it might appear as if you are only playing for yourself, I don’t think that’s the case. From the earliest days, golfers played for their town or their club. Today, weekend golfers put together bets by which your foursome is playing another foursome. Professional golfers today compete for their country in the Olympics, the Ryder Cup and the Presidents Cup. Even PGA Members who when tournaments seemingly for themselves are elevating the stature of the PGA Tour which benefits not just themselves but their fellow Tour members. The LIV Tour So, what to make of the LIV Tour? Last weekend, the LIV hosted its first tournament and the field of 48 players included a few big names such as Dustin Johnson and a host of names that only the most ardent golf fan would have recognized. The players were paid to join the tour and last place at the event earned $120,000. At the Canadian Open being played at the same time, five players tied for 48 th place and each one took home $22,567. If you missed the cut that week then you made nothing. The Canadian Open has been played since 1904 and former winners include: Walter Hagen, Sam Snead, Byron Nelson, Arnold Palmer, Lee Trevino, Nick price, Jim Furyk, and Tiger Woods. Jack Nicklaus has seven runner-up finishes at The Canadian Open. On the LIV Tour, you get paid to show up, win or lose. Who cares? I guess we’re supposed to be impressed by the great play. I love golf but am the first to admit that I rarely watch it on TV beyond the majors, which, by the way, are acknowledged as minor national holidays in our household. I watch the majors because of the tradition, the history, and the stakes other than the money. Yes, I watch because they are the best players in the world but also because they are putting themselves out there. They eat what they kill. And simply stated, some tournaments just mean more than others. The competition on the PGA Tour and the European Tour is real. The nerves are real. Especially at the Ryder Cup and Presidents Cup. How can I get excited about watching folks play golf when they can finish dead last and still get paid and would have already been paid just for foregoing another tour? Independent Contractors, they say The players that have fled the PGA and European Tours for the safety of the LIV Tour make a lot of noise about being independent contractors and claim that means they should be able to do what they want. Yes, members of the PGA Tour are independent contractors and, yes, they are contractually obligated to enter a minimum number of tournaments each year, but I wonder if Dustin Johnson and Phil Mickelson are independent contractors anymore. We’ve read that Mickelson was paid $200 million to join LIV. Was he wired this money in one lump sum a few weeks ago or will it be paid out over time? I have a feeling it will be paid out over time and that he is obligated to play in the tournaments and promote the LIV Tour. Sounds to me more like he’s an employee of Mohammad bin Salman. The PGA has suspended Phil. I wonder what MBS will do if Phil decides to stop playing in his tournaments? For the love of the game In 1913, an amateur shocked the golf world. The romance of playing purely for the love of the game gave way to the reality that only a handful of people could spend their lives playing golf without a financial care in the world and room for the professional was accommodated. With the ascendency of the professional, an amateur hasn’t challenged the top players since the days of Bobby Jones but that’s okay. When I watch the world’s best golfers competing to win a trophy on a famous course that was previously won by Walter Hagen, Jack Nicklaus, or Ben Hogan for instance, I see players playing not just for the money but for the love of the game and for their place in history. I’m heading to the driving range now. I’m playing tomorrow, and in my foursome, we will throw balls up on the first tee to determine teams and then compete in a $20 Nassau. Second place gets nothing! [1] The story was immortalized by Mark Frost in his book, The Greatest Game Ever Played: Harry Vardon, Francis Ouimet, and the Birth of Modern Golf and popularized by the movie The Greatest Game Ever Played, based on the book.
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